To Quote Hemingway – Wednesday Prompts and Inpsirations

chalkboard-3-A “There is nothing to writing. All you do is sit down at a typewriter and bleed.”

Ernest Hemingway

 

Bleed.

I asked myself what it means to bleed when writing.

I think another word, equally interchangeable with bleed, is purge. For me this means to empty myself until at the end of my writing day, I am exhausted.

Not unlike some other writers, I often type with my eyes closed to block out the visuals which ground me to the present. Eyes closed, I can watch my characters act on my mind’s stage, see their gestures, envision their movements, hear their dialog with greater clarity, and enter their thoughts.

Following is a partial list of what it means to bleed when writing.

YOU MUST

believe in what you are writing.

feel joy and excitement from what you are writing.

reveal your character’s fears and desires.

connect your reader to your characters by revealing their strengths and weaknesses and motives.

lead your reader by the hand and show them what is crucial and why it is crucial in each scene.

take your reader deep into the mind of your protagonist.

imagine yourself in the shoes of each of your characters, and write with their unique personalities in mind.

involve the five senses in your writing especially smell, a powerful, underused memory inducer.

not only describe the actions of your characters, but give reasons (motives) for their actions as well as their thoughts over the outcomes.

know the back story of your characters, not to bring to light necessarily, but to keep in mind so your characters feel real.

crush your protagonists hopes.

Place speed bumps in your protagonist’s path.

keep your protagonist from achieving their goal until the very end.

 

Happy writing!

 

 

 

 

 

 

 

Want To Play A Game? – Wednesday Prompts and Inspiration

chalkboard-3-AAs I move forward in writing my middle grade novel, I continue to define my cast of characters. (remember my 75 point character development questionnaire?) Part of understanding my characters so they feel like real people involves creating a list of defining items for each. My main character is a fourth grade ‘girly’ girl with a strong dislike for camping (one guess what her class is doing on the weekend).

As a writing warm-up for this task, I wrote the names of some people I know along the top of a sheet of paper. Beneath each name, I listed defining things/items.

If you try this exercise, you can test your lists for accuracy. Without revealing the names, see if others, who know the people, can figure out who each list belongs to.

WANT TO PLAY A GAME? This exercise can also be turned into a fun family and friends game: choose four or more people everyone in the room has in common. Then ask everyone to list 5 or more things that come to mind when they think of each listed person. When you’ve all completed this, pass the nameless lists around the room to see who can match  the most names to the right lists.

What you’ll learn is more than you expect…

Beyond your list of items that shows your relationship to each person, you will see how others perceive these people, too. In writing, it is important to remember that, like in the real world, the relationship Anne has to her best friend, Linda, is different from the relationship Anne’s mother has with Linda. If Anne and her mother both made lists to define Linda, you would see two different lists. If Anne and her mother interact with Linda in your story, you’ll want to take the time to make both lists.

Whether you are making these lists as a writing exercise or as a game, you could include other items…

Habits: clicking nails, twisting a strand of hair, jingling coins in their pocket.

Hobbies: exercise, stamp collecting, reading, swimming, golf, gardening, etc…

Expressions: Whatever, gotcha, you know it, etc…

Positive personality traits: uncomplaining, willing to lend a hand when someone needs help, volunteers, kind to everyone, sets goals and achieves goals, organized, …

Negative personality traits: Complains often, no situation is ideal, finds flaws in everyone and everything, nags, lazy, untidy, undisciplined…

Defining Items individual would use at home, always or often take with on a car ride, always keep in their pocket, purse, or wallet: small notebook, pen, photo of someone, goals list, particular snack, magnifier, etc…

 

A FICTITIOUS EXAMPLE:

George – microscope, reading glasses, science magazines, strong coffee, workaholic, generous.

Megan – sketch pad, pouch of colored pencils, mini trampoline, bike, hair accessories, doesn’t put things away, artistic, creative.

Liza – exercise bike, workout clothes, cup of tea, Kindle, stretchy headband, spearmint gum, organized work space, often too honest with comments.                                    

After I filled in the list of items for some of the people I know, I made a column for myself. Why? Because as writers, we often look to ourselves when creating our characters.

Leslie (me)Stack of small notebooks (No surprise there. Right?), favorite wood pen my husband made for me, jar of highlighters, laptop (Of course…), coffee, my pets, stack of favorite books (too long to list), focused, determined, works so hard at her writing she often neglects doing the dishes and laundry.

If you play the game I outlined above, I hope you’ll learn a lot about those you know and have fun along the way!

Happy writing!

An Eye-Opening 3rd Grade Field Trip – Wednesday Prompts and Inspirations

chalkboard-3-AI missed last week Wednesday’s Prompts and Inspirations because I added one extra item to my day. I realize one extra to-do doesn’t sound like much, but in my case, it involved volunteering at my daughter’s elementary school to join her class on a field trip. Normally I’d choose writing over hanging out with twenty, nine-year-old kids on a field trip, but I viewed this outing as research. If I’m going to write for this age group, I figured who better to spend the day with than my intended audience?

I arrived in my daughter’s classroom promptly at 8:45, in time to join a chorus of sweet voices in the Pledge Of Allegiance. I was surprised that after ___ years, I remembered all the words. The teacher informed the class if they wanted to leave their hats, scarves, and gloves at school they could as the entire field trip would take place inside a nature center where they would study water. Twenty, nine-year old students exited as if the room was ablaze to stow their hats, scarves, and gloves in their lockers. The teacher asked if I would like to ride the bus or drive my own car to the nature center. With research in mind, I joined the class, figuring I could listen in on conversations and immerse myself in the language of these children.

Wrong.

Have you ever visited a pet shop that sells birds? If not, picture the sound of a hundred crows chattering into a microphone with the volume stepped up. I couldn’t pick out a single word.

Once at the nature center, we were informed that the hands-on activities would take place mostly outside. After a one-hour hike, twenty, frozen kids raced inside to thaw during a short lecture. Then we followed a young man outside, who clearly had no patience with children, for a hands-on experiment. Each child was instructed to put their hands in a bucket of cold water to retrieve a rubber tube for an experiment in air and water pressure. That’s when the temperature took a sudden plunge from 50 to 30 something, and a freak snowstorm moved in! Everyone chattered and complained to the teacher about her instructions to leave their hats, scarves, and mittens at school. Some of the kids were clearly worried about getting frost bite and losing their hands because of the icy water the center provided for the experiments. I felt terrible for the children. Red hands, teary eyes, and shivering, little bodies. I moved around the group, warming as many children as I could by wrapping their hands in my scarf and rubbing their icy fingers. Four hours later, we were on the bus, heading back to school.

What I learned:

Despite the teacher’s daily immersion in the lives of nine-year-old children, she clearly didn’t take seriously their age-appropriate worries and fears. I see this among my friends who have children. So often adults belittle children’s concerns. As adults, we have learned along the course of our lives that many of our fears are unjustified. But knowing better doesn’t give us the right to brush a child’s fears away. For their handful of years on this earth and their limited life experiences, a child’s fears are as real to them as ours are to us.

And what did I observe when the teacher shooed her students away and told them they were being ridiculous for worrying about frostbite? Those children turned to other children for advice. I zipped forward into their teen years and pictured them facing age-appropriate issues that their parents might brush off as ridiculous. The result? Those teens turning to other teens for advice. Hard as it is, It’s important to take a child’s concerns seriously and help them realize that a parent or teacher is the best person to turn to. 

Another age appropriate issue:

On the bus ride to the center, my daughter boarded the bus well ahead of me and found herself seated between two boys. (To a nine-year old girl, this is a fate worse than broccoli for dinner.) So on the ride back, my daughter pleaded with me to sit beside her to prevent a boy from sharing her seat again. Did I laugh, snicker, or tell her she was being silly? No. I slid beside her on the seat and offered her my hand and a feeling of security.

How this relates to my writing:

Writing for children not only means developing a believable and likable child or child-like, adult character, but it also means bringing a problem into the story that is age appropriate. If I’m writing a picture book for 3-7 year old children, the problem needs to be one this age group can relate to, otherwise why would they want to listen to the story? It’s challenging to think back to when I was a child and remember my worries. So, my advice to writers is this… spend time with the age group you are writing to. And if possible, spend time with that age group in the same setting you have chosen for your book.

Happy learning and writing!

 

Reveal Character Through Setting – Wednesday Prompts and Inspirations

chalkboard-3-AListen. How many sounds do you hear?

Open your eyes. What surrounds you?

Breathe. What smells linger in the air?

Touch what is before you. Describe the surface.

Taste. (I’ll wait…. Head into the kitchen, nearest coffee shop, or vending machine, and get yourself a cup of coffee, tea, or snack.)

Now place yourself in the setting of your novel. Where are you? What time of day is it? What year is it? What season have you selected? Who is near you? What surrounds you? What does the air smell like? What surface are you touching? What do you feel? What can you hear? If there is food near, what does it taste like?

Building your setting with these tools helps bring your writing alive for your reader. These tools allow your setting to become an active player. But to use them to reveal character, it is crucial to include those things that are important to each player in your story.

EXAMPLE: Take Janet and her boyfriend, Mike. They decide to hike through a rain forest. Upon seeing the towering trees, both standing and fallen, Janet sees history before her. She wonders what the world was like when the trees were saplings. How did people dress then? What did those people hold sacred? Janet marvels at the lush, green moss dripping from the branches. The wild, curly moss resembles her best friend’s hair she braided when they were kids. The intoxicating, woodsy scent brings her back home to the incense her mother burned at the holidays which triggers the scent of cherry wood tobacco her Grandfather smoked when he visited at Christmas. The bounce under her feet, as she steps on the moss-covered trails, causes her heart to flutter with giddiness as she recalls the bouncing on a trampoline as a child in gym class with her favorite teacher, Miss Henkley. She sighs because of the many gifts she has received here and promises herself she will make time to come back, if only to enjoy the wonder of so many cherished memories.

Enter Janet’s boyfriend, Mike. Upon seeing the fallen trees, he sees the ragged bark, the decay, the slugs that fill the crevices. He breathes out sharply, trying to clear the smell from his lungs–a smell that whisks him to a mountain cabin where, on a vacation when he was a small boy, his uncle beat him. The wild, curly moss resembles the pasta his mother served day in and day out to save money because of his father’s low paying job. And as for the moss-covered, bouncy trails…Jack recalls a time his brother tripped him, causing him to break his ankle, which in turn caused him discomfort and instability when he walked. Jack grumbles at the anger this place his filled him with and promises himself he will never step foot in this forest again to spare himself so much heartache.

As you move through your setting, place yourself in the shoes of each character. Focus on each one’s personality, quirks, history, hopes, and dreams. If you were that character, what would you see, hear, smell, feel, and taste? If you were that character, what memories might those things evoke?

Keep in mind that adding details with the goal of setting the stage creates a generic environment. If you want setting to reveal character, you must become that character. You must be aware through all of their senses when you write.